The film is a representation of the conflicts between hope and the dismay that clouds the present life of the lead characters. It begins with a colossal disappointment in the marital life of two young middle class Iranians, Nader and Simin. It is a stark imagery of the current social, economical, and cultural scenario in Iran.
Simin bears the responsibility of the well being of the family and wants them to move out of Iran to provide a bright future to her 12 year old daughter Teremeh. Her husband, Nader, disapproves the idea of fleeing Iran for a better place; he reasons his disapproval of the flight with the degenerating condition of his old father afflicted by Alzheimers. The couple separates; leaving the daughters life in a disjointed situation.
The major themes in the film are family loyalty, religion,
economical inequality, migration, class division, and troubled-relations. The
film also in a way satirizes the much debated “veiling of women”. It subtly evokes
the irrationality behind the dress code, and this is pretty evident when the
protagonist claims his ignorance to the fact that the home maid was pregnant,
and this he attributes to the chador(fabric
to cover the body, similar to purdah), which makes it difficult to determine the physical traits of a pregnant woman. The Koran is a re-occurring aspect, as the
victim of the crime is a deeply religious woman, who experiences a conflict
between moral imperatives at various junctures in the film. 









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